HOST VFX provides the detail needed for informed decision-making before diving headfirst into VFX. When done right, pre and postvis open a window into shot composition, narrative flow and pacing, and transitions that optimise budget efficiency. Our approach of creating niche, artist-led teams to fit directly into your production allows us to deliver the highest standard while keeping overheads low, all without compromising on time.
The key to our approach is in developing bespoke crews around each unique project. Our experience and insight in the rapidly paced film and television industry allow us to respond quickly, producing the shots and finals for virtually any production.
We naturally align with VFX teams, cinematographers, and editors. We work in-house, directly fitting into your creative team, assisting with anything from postvis to techvis, shot production and onset compositing.
Thanks to Wesley’s experience in pre and postvis, and in-house artistry, HostVFX hit the ground running in 2017, scaling to deliver stunning results for internationally loved film and TV—and save production houses millions—in the time since its establishment.
Wesley is an accomplished VFX specialist with a rich background in VFX data wrangling, texture photography, and 2D/3D generalist work. Having worked on some major films on the global Hollywood stage, including James Bond Spectre, The Great Gatsby, and Wonder Woman 1984, Wesley brings to HostVFX a level of industry experience that enables the business to thrive in all kinds of project environments.
